EP.11 • CAROLINA ISELLA
Carolina Isella class of '96, Milanese by birth and Turin by adoption. She does many jobs in life and has several passions, and in both cases there is no shortage of travel, creativity and nature. In fact, she works as a photographer and coordinates trips all over the world with sivola.it, by now she knows Iceland and Japan better than at home. When a trip is proposed to her, there better be some trekking and she will always say yes.
We know that today you travel and shoot for work, but, could you tell us if-how-when your love for travelling or photography was born first?
It's hard to say which one came first, because for both passions I think, unconsciously from an early age, I had them in me. But if I had to choose one, I would most probably say travel. Travel because I've experienced it for the longest time, consider that my very first trip was when I was 18 months old to the Maldives (yes, you read that right) and from there it's just been a crescendo, thank you ma, thank you pa. The breakthrough for travel was in 2017, when I took a solo trip to South East Asia with a backpack and not much organisation. But it was this going with the flow that made me realise so many things.
Looking at your travels as a whole, I think it is possible to divide them into three categories: business travels as an escort, personal travels for pleasure and travels for social purposes. Can you tell us how you change in these different guises and contexts?
Yes, thinking about it, there are little behaviours that change depending on the trip I take. On group trips, being the point of reference for the girls and boys, I am very organised and often with the phone in my hand to figure out travel, bookings and everything else related to such a trip. On the contrary in my personal trips, I tend not to organise much, see trip to Hokkaido just below. I do this in order to experience the everyday life of the country more calmly and following the rhythms of my body and, as far as possible, I tend to forget the telephone. At the end, for social travel it's a bit of a mix, because I often don't organise the days myself but I still have work to do, so I know the timings and what I have to do.
I would like to talk about responsibility when travelling: I think of the responsibility of accompanying different groups of people around the world, I think of the responsibility of respecting the places and the inhabitants of the countries, and I also think of the responsibility of choosing or not choosing to shoot and document certain situations you see. How do you feel about these different shades of responsibility that you find yourself, I imagine very often, touching?
Responsibility is the main word I say most when people say to me, “But you are always on the road and you are always on holiday”. We well understand that having a group of about 15 people in tow is already a big responsibility in itself and our job as coordinators takes on so many of them. You have well mentioned respect for places and people, which is one of those things I hold most dear and which I like to pass on to people. What I tend to do is try to explain the context in which we find ourselves and understand why that environment must be preserved. In addition, an action that makes people understand a place even more is the contact with locals, who must trust us and understand that we are travellers, explorers and not Sunday vacationers, with all due respect to them. So a smile, a greeting, a few words make it possible to get that 'yes' to take a photograph, to enter their place and be able to have a conversation, even asking slightly more intimate questions. And then, let's face it, by interacting you will also have those moments that are hard to forget and beautiful to talk about at home.
Tell us a bit about your trip to Hokkaido, you left for fun to go to a very special place, how did you organise it? Why did you choose this destination?
As I mentioned a little earlier, the trip to Hokkaido was not too organised. Filippo and I found ourselves in Hokkaido after our business trips to Asia and for convenience we chose northern Japan to meet up. The choice was therefore dictated by proximity for both of us - I was in Vietnam and Filippo was already in Japan (Tokyo and surroundings) - and because we would have liked to go somewhere with snow. And what better place than Hokkaido where they say there is some of the most incredible snow in the world? We can confirm that it is so crazy. We stayed mainly in the south of the island, between Hakodate and Sapporo, going skiing in Niseko, one of the most popular places for winter sports enthusiasts. All this was done exclusively by local trains, which are of immense efficiency in Japan and we can confirm that this is also the case with snow.
Even from the photos we understand that the weather was particularly tricky, how did you manage? What is the real difference between travelling to big cities or choosing more remote and sparsely populated areas?
Despite the efficiency of Japanese vehicles, one evening after days of skiing, due to too much snow, all the trains that would take us back to the city were cancelled. We were in the small station of Otaru, 1 hour from Sapporo, our final destination, and here our coordinator's sides came out, which we had put on hold for a while. We then started asking passers-by, in some peculiar way because the Japanese don't know English, if someone could drive us to town. Eventually, after we walked around the town for hours and teamed up with some Indian and Chinese guys, we managed to find a car to take us 'home'. So certainly travelling to big cities allows you to be more serene in these situations, as the roads are more passable and a bed can be found more easily. In more remote areas, however, the availability of accommodation is very limited and the Japanese, shy as they are, are unlikely to take you in or help you. But with a little tenacity, the exception can be found.
Would you like, at the end, to point us to some music that you link to specific trips?
If I could live life with songs as soundtracks, I would live it. One of them, perhaps my absolute favourite, is “Glimpse of us” by Joji, anyone who has travelled with me knows that I always put it on in Iceland at specific points on the island. Paul Kalkbrenner's timeless “Sky and Sand” is always present on every trip I take, whether I'm in a van in the middle of nowhere or on top of a mountain. Another unfailing track is “ABC” by Guitarricadelafuente, which is a bit warmer and every time I listen to it I think of the trip to Madeira in 2021 with Filippo. I guess I am quite romantic and I often put on reflective pieces, but I think music is a big part of a journey and if you find yourself with a huge landscape in front of you, you always need the right music.
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